Simba: Rubbed & Dubbed

by Uche on Wednesday, July 1, 2015

Cherrystones re-edited version of mega rare Lagos soul record.

Gary Byrd: The Crown

by Uche on Thursday, February 19, 2015

Gary Byrd and the GB Experience “The Crown” was released on 12″ only, ran for 10 minutes 35 seconds, making it one of the longest tracks ever to chart in the UK. It entered the charts on 23 July 1983 at number 21, and rose to a high of number 6; it remained in the chart for 9 weeks.

 

Cozy Powell: And Then There Was Skin

by Uche on Thursday, February 19, 2015

Freeez: Southern Freeze

by Uche on Wednesday, November 19, 2014

1981

Sidenote: A record that reminds me of my home city.

Beggar & Co Somebody Help Me Out

by Uche on Wednesday, November 19, 2014

1981 

Yarbrough & Peoples: Don’t Stop The Music

by Uche on Tuesday, November 18, 2014

Miami Sound Machine: Dr Beat

by Uche on Thursday, November 6, 2014

1984 

Props: Thriller

Fairlight CMI

by Uche on Monday, July 28, 2014

DIGGING IN THE CRATES

Developed in 1979 by Australian sound engineers Peter Vogel and Kim Ryrie, the Fairlight CMI was the first synthesizer that could sample sounds. Due to it’s small memory and low sampling quality, short, repetitive samples were common. These sounds came to define the sound of the 80′s. Peter Gabriel was the first to purchase a CMI but it was Richard Burgess and John Walters from the British group Landscape who mastered it, using it on their own and for other artist’s records such as Peter Gabriel, Kate Bush’s album ‘Hounds Of Love’ as well as early American adopters such as Herbie Hancock and Afrika Bambaataa but the CMI was probably most widely recognized for being used by Jan Hammer in the creation of the Miami Vice theme tune.

(1984)

 

The System: You Are In My System

by Uche on Sunday, June 15, 2014

DIGGING IN THE CRATES BACK TO 1982.

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